curriculum - english version
2005 till 2007, Stagiaire in the D.A.N.C.E. project (Dance Apprentice Network aCross Europe) with the artistic direction of William Forsythe, Wayne McGregor, Frédéric Flamand, Angelin Preljocaj and the associated artists Michèle Anne De Mey, Thierry De Mey, Pierre Droulers, Lutz Gregor and Christian Ziegler.
2004, Master 1 in dance - performance departement in Escola Superior de Dança, Lisbon, where he works with the chorographers Rui Horta, César Moniz, Rui Lopes Graça, Olga Roriz, Rita Judas and Amélia Bentes, in the choreographic studios.
Workshops
Release technic with Anabelle Bacounier and Amélia Bentes; Capoeira/Release with Bruno Caverna; Classic Ballet for contemporary dancers with Jason Beechey; Classic Ballet with Nilsen Jorge; Modern Jazz with Ana Simões; Sevillanas and Flamenco with Silvia Gaal; Jazz dance, modern jazz and ballroom dances with Luís Stoffel.
Professional experience
2006, Interpreter, Love Zoo of Felix Ruckert, Théâtre du Merlan, Marseille;
2005, Creator et interpreter, Addicted Man, 5° edition of the festival Danse en Vol. Théâtre L'l, Brussels;
2004, Interpreter, Variations autour d’un gateau, an initiative of BIJ (Bureau International Jeunesse), with the choreographers: Edith Depaule, Martin Dewez and Marie-Josée Lareau. Théâtre L’l, Brussels; Special Participation in Guerra, Pipo Del Bono Company, CCB, Lisbon;
2003, Interpreter, Mantra of Carolina Ramos, in Plataforma de Novos Coreógrafos de Almada;
2001, Interpreter/dancer in Companhia de Dança de Aveiro, in Heron Nobre's creation Question and other repertory pieces of the company, Aveiro;
Press
About Addicted Man, 5° Danse en Vol, Brussels , 2005.
“Paulo Guerreiro’s first work, presented a strong and coherent exercise (...) the interpreter’s body was an object of energised explosions, being later a receptacle for a metaphor of daily vices and addictions. Even if unbalanced in terms of dramaturgic conception and consequential organisation, this work reveals knowledge of what can and must be convoked in a creative process. The way it comprises concerns about the role of creation in the daily life through simple actions (...) is reason enough to see in this short piece a possibility of confrontational speech regarding technique versus metaphor.”
Tiago Bartolomeu Costa in Perpetual Movements – about 5th Danse en Vol, published in the web blog o melhor anjo, January 2006
2004, Master 1 in dance - performance departement in Escola Superior de Dança, Lisbon, where he works with the chorographers Rui Horta, César Moniz, Rui Lopes Graça, Olga Roriz, Rita Judas and Amélia Bentes, in the choreographic studios.
Workshops
Release technic with Anabelle Bacounier and Amélia Bentes; Capoeira/Release with Bruno Caverna; Classic Ballet for contemporary dancers with Jason Beechey; Classic Ballet with Nilsen Jorge; Modern Jazz with Ana Simões; Sevillanas and Flamenco with Silvia Gaal; Jazz dance, modern jazz and ballroom dances with Luís Stoffel.
Professional experience
2006, Interpreter, Love Zoo of Felix Ruckert, Théâtre du Merlan, Marseille;
2005, Creator et interpreter, Addicted Man, 5° edition of the festival Danse en Vol. Théâtre L'l, Brussels;
2004, Interpreter, Variations autour d’un gateau, an initiative of BIJ (Bureau International Jeunesse), with the choreographers: Edith Depaule, Martin Dewez and Marie-Josée Lareau. Théâtre L’l, Brussels; Special Participation in Guerra, Pipo Del Bono Company, CCB, Lisbon;
2003, Interpreter, Mantra of Carolina Ramos, in Plataforma de Novos Coreógrafos de Almada;
2001, Interpreter/dancer in Companhia de Dança de Aveiro, in Heron Nobre's creation Question and other repertory pieces of the company, Aveiro;
Press
About Addicted Man, 5° Danse en Vol, Brussels , 2005.
“Paulo Guerreiro’s first work, presented a strong and coherent exercise (...) the interpreter’s body was an object of energised explosions, being later a receptacle for a metaphor of daily vices and addictions. Even if unbalanced in terms of dramaturgic conception and consequential organisation, this work reveals knowledge of what can and must be convoked in a creative process. The way it comprises concerns about the role of creation in the daily life through simple actions (...) is reason enough to see in this short piece a possibility of confrontational speech regarding technique versus metaphor.”
Tiago Bartolomeu Costa in Perpetual Movements – about 5th Danse en Vol, published in the web blog o melhor anjo, January 2006
